Vlasta Vostřebalová Fischerová: Between social art and magical realism

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Cena: CZK 890

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Publishers: GHMP, Arbor vitea a Moravská galerie v Brně
Year of publication: 2013
Edition: 1.
Language: in Czech
ISBN: 978 80-7467-044-2 (Nakladatelství Arbor vitae), 987-80-7027-267-1 (Moravská galerie v Brně), 878-80-7010-997-7 (Galerie hlavního města Prahy)
Concept and texts: Martina Pachmanová, Michala Frank Barnová
Translation: Irma Charvátová, Tony Long, Bernd Magar
Copy Editing: Marie Bergmanová
Graphic Design: Luboš Drtina

Jan Svoboda: I’am Not a Photographer

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Price: CZK 790

Publisher: the Moravian Gallery in Brno
Year of publication: 2015
Edition: 1.
Range: 295
Language: in Czech, in English
ISBN: 978-80-7027-291-6
Text: Jaroslav Anděl, Antonín Dufek, Katarína Mašterová, Jiří Pátek, Petr Rezek, Pavel Vančát
Photographs: Jiří Thýn, Kamil Till, Andrea Bratrů Velnerová
Translated by: Miloš Bartoň, Alan D. Windsor
Graphic Design: Robert V. Novák

The catalog was published on the occasion of the exhibition Jan Svoboda / I am not a photographer in the Moravian Gallery in Brno: Museum of Applied Arts, Brno from November 20, 2015 to February 21, 2016

Immrová

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Price: CZK 403

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Publisher: GHMP
Year of publication: 2020
Edition: 1.
Language: in Czech, in English
ISBN: 978-80-7010-169-8
Texts: Iva Mladičová, Monika Immrová
Graphic Design: Tomáš Nedoma
Photos: Martin Polák, Ondřej Přibyl, Jan Mahr, Věroslav Škrabánek, Bronislava Bakule Malá, Ivan Pinkava, Robert Žákovič, Monika Immrová, Oto Palán, Ondřej Polák
Translation: Vladimíra Šefranka Žáková
Copy Editing: Ondřej Krochmalný
Production: Lucie Jamníková (GHMP)
Printed by: Indigoprint s.r.o.
Print run: 1000 pcs

Catalogue published on the occasion of the same name exhibition held at Prague City Gallery’s Colloredo-Mansfeld Palace (4 November 2020–7 March 2021).

Sudek and Sculpture

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Price: CZK 960

Publisher: Artefactum publishing house – Institute of Art History The Czech Academy od Sciences
Year of publication: 2020
Range: 620
Format: 197 × 265 mm
Language: in Czech, in English
ISBN: 978-80-88283-33-1
Editorial: Hana Buddeus
Texts: Hana Buddeus, Katarína Mašterová, Kateřina Doležalová, Zuzana Krišková, Mariana Kubištová, Martin Pavlis, Fedora Parkmann
Text editing: Tatjana Štemberová
Graphic Design: Martin Groch & Tim + Tim
Cover: Martin Groch & Tim + Tim in cooperation with Jakub Samek
Pre-press preparation of reproductions: Radek Typovský

Antonín Kratochvíl: Photo Essays

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Price: CZK 827

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Publisher: GHMP
Year of publication: 2020
Range: 328
Format: 300 × 290 mm
Language: in Czech, in English
ISBN: 978-80-7010-164-3
Editorial: Pavlína Vogelová
Texts: Magdalena Juříková, Michael Persson, Pavlína Vogelová
Translated to english by: Vladimíra Šefranka Žáková
Translated to czech by: Kateřina Danielová, Martina Dvořáková
Photographies: Antonín Kratochvíl, Gerald Y. Plattner
Pre-press preparation of photographs: Jakub David
Graphic Design: Filip Skalák
Text editing: Kateřina Danielová

This book, which has been published in conjunction with Prague City Gallery’s retrospective exhibition Antonín Kratochvíl: Photo Essays, presents a cross-section of the highly expressive and evocative work of one of the most world’s most distinctive photojournalists and portrait photographers of the late 20th and early 21st centuries. This selection from Kratochvíl’s photographic work reflects many of his lifelong subjects, such as man’s relationship to nature, human conflict, people ravaged by war and repression, and human visions for the future. The texts by Pavlína Vogelová and Michael Persson are divided into two parts. Vogelová shows how Kratochvíl’s work relates to today’s burning social issues while also emphasizing the value of the photographic record and the concomitant moral and artistic reputation of the photographer. In his essay “To a Friend, from a Friend ,” Persson – who worked on Kratochvíl’s earlier monographs Broken Dream: 20 Years of War in Eastern Europe (1997), Vanishing (2005), and Persona(2006) – takes a literary look at the unique, modest, empathetic, and exceptional person that is Antonín Kratochvíl by describing the delights and dangers of world-class photographic work.

Jan Kovářík: Colorbond

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Price: CZK 332

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Publisher: GHMP
Year of publication: 2020
Range: 103
Format: 170 × 260 mm
Language: in Czech, in English
ISBN: 978-80-7010-168-1
Texts: Magdalena Juříková, Jan Kovářík
Graphic Design: Anymade Studio
Photographs: Studio Flusser
Translated by: Rani Tolimat
Language Editor: Ondřej Krochmalný

The catalog was published on the occasion of the exhibition of the same name, held in Troja Castle on 25 May – 1 November 2020 with texts by Magdalena Juříková and Jan Kovářík.

Rudolf Sikora and Vladimír Havlík: Snow Stone Star Tree

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Price: CZK 390

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Publisher: GHMP
Year of publication: 2020
Range: 128
Format: 160 × 240 mm
Language: in Czech, in English
ISBN: 978-80-7010-167-4
Texts: Jakub Král
Translated by: Stephan Von Pohl
Pre-press preparation of photographs: Studio Zdaar (David Šrot and Kryštof Novák)
Text editing: Ondřej Krochmalný
Graphic design: Studio Zdaar (David Šrot and Kryštof Novák)

Devětsil 1920–1931

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Price: CZK 1,099

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Publisher: Prague City Gallery (GHMP)
Year of publication: 2019
Range: 248
Format: 220 × 315 mm
Language: in Czech, in English
ISBN: 978-80-7010-160-5
Texts: Alena Pomajzlová, Jindřich Toman, Karel Císař, Petr Ingerle, Jakub Potůček, Jitka Ciampi Matulová and Lucie Česálková
Translated by: Vladimíra Šefranka
Pre-press preparation of photographs: Metoda spol. s r.o.
Editorial: Kateřina Danielová
Graphic Design: Adéla Svobodová, Tereza Hejmová

The accompanying publication to the exhibition Devětsil 1920–1931 presents eight synthetic studios with rich visual accompaniment, which map the activities of the avant-garde group Devětsil, active in Prague and Brno in the 1920s. Based on examples from individual fields – fine art, architecture, photography, film, theater and typography – the poetics of contemporary art oriented to the modern world and progressive streams of world art are presented. In Czech and English language version published by the Prague City Gallery (GHMP).

Bedřich Dlouhý: What I Like

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Price: CZK 720

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Publisher: Prague City Gallery (GHMP)
Year of publication: 2019
Range: 137
Language: in Czech, in English
ISBN: 978-80-7010-155-1
Translated by: Adrian Dean
Pre-press preparation of photographs: Jan Bouček
Language Editor: Pavlína Klazarová
Graphic Design: Zdeněk Ziegler

Exhibition catalogue Bedřich Dlouhý – What I like  is published in a graphic design of Zdeněk Ziegler in Czech and English versions. It contains a text by the author of the exhibition Mahulena Nešlehová entitled “Unlimited freedom of creation”, which deals with the exhibited works and at the same time grasps the development of the artist’s work from the beginning of his creative activities in the Šmidras group to the present. The study is accompanied by a rich selection of images of the present works: graphics, paintings, objects and assemblages. It is followed by Dlouhý’s aptly “Contribution to Discussion”, which he presented at the symposium “The Form and Purpose of Painting in Contemporary Art” organized in 1994 by the Academy of Fine Arts. The catalogue is enriched by an overview of the artist’s biographical data, accompanied by a selection of his personal photographs, shots from exhibitions and from quid activities, as well as from several dada events of the Palette of Homeland, of which Dlouhý was the first president. The catalog includes 140 pages and 110 colour and black and white reproductions.

Carnations and Velvet / Art and Revolution in Portugal and Czechoslovakia (1968–1974–1989)

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Publisher: Prague City Gallery (GHMP), Museu Nacional de Arte Contemporânea (MNAC)
Year of publication: 2019
Edition: 1.
Range: 174
Language: in Czech, in English, in Portuguese
ISBN: 978-80-7010-157-5
Texts: Ana de Almeida, Sandra Baborovská, Emília Ferreira, Manuela Franco, Adelaide Ginga, Vít Havránek, Magdalena Juříková, Pavel Szobi
Photos: Archiv GHMP, arquivo MNAC, archive of SNG, Arquivo do Centro de Documentação 25 de Abril da Universidade de Coimbra, Arquivo Histórico Diplomático, José Pedro Aguiar–Branco, Diogo Cabrita, Calouste Gulbenkian Foundation, Lisbon / José Manuel Costa Alves, Mário de Oliveira, José Campelo, Karel Cudlín, Alfredo Cunha, ČTK, ČTK / Pavel Hořejší, Tomáš Novák, ČTK / ZUMA / Keystone Pictures USA, Fundação Mário Soares / Arquivo Mário Soares, Konstantin Karageorgiev, Jaroslav Krejčí, Jaroslav Kučera, Karel Kuklík, Dana Kyndrová, Petr Morávek, Nadační fond Kmentová Zoubek / Karel Kuklík, David Stecker, Tomki Němec, Oto Palán, Růžena Preissová, Roman Sejkot, Tomáš Souček, Pavel Štecha, José Vidal de Almeida, José Viegas
Graphic Design: Anymade Studio
Translated by: Anna de Almeida (CZ), David Davis (EN), Jaroslava Jindrová (CZ), Kennis Translations (EN), Anton Pasienka (PT), Eva Schalková (PT), Vladimíra Šefranka Žáková (EN), Redakce a jazyková korektura / Correção e revisão dos textos / Copy Editing and Proofreading: Kateřina Danielová (CZ), Adelaide Ginga (PT), Vladimíra Šefranka Žáková (EN)
Language editors: Kateřina Danielová (CZ), Adelaide Ginga (PT), Vladimíra Šefranka Žáková (EN)

This catalogue has been published in collaboration with the National Museum of Contemporary Art (MNAC) in Lisbon on the occasion of the eponymous exhibition held 30 April to 29 September 2019 in Prague City Gallery’s exhibition spaces on the second floor of the Municipal Library. It includes texts by the exhibition’s curators Sandra Baborovská (GHMP) and Adelaide Ginga (MNAC), historian Pavel Szobi, art historian Vít Havránek, and Czech-Portuguese artist Ana de Almeida. The texts offer an introduction to Portuguese art and look at the surprising similarities, parallels, and paradoxes of the revolutionary events in Portugal and Czechoslovakia. The shared starting point is the year 1968 – the time of the Prague Spring in Czechoslovakia and the spring of Marcelo Caetano in Lisbon – but the publication also looks at 1974 and 1989, the years of the peaceful revolutions that brought freedom to the two countries. The Carnation Revolution in Portugal took place on 25 April 1974, and the Velvet Revolution in Czechoslovakia was on 17 November 1989. The catalogue also presents works by Czechoslovak and Portuguese artists, famous individuals, and legends who responded to their countries’ oppressive regimes and who had a fundamental influence on contemporary art in their countries. This is also the first time that Czech audiences have had an opportunity to look into the private archives of the young Portuguese who were part of the first foreign delegation (on 9 December 1989) to come in support of our democratization.

Carnations and Velvet: Art and Revolution in Portugal and Czechoslovakia (1968–1974–1989), with graphic design by Anymade Studio and published in Czech, Portuguese, and English, offers a full summary of both revolutions and a chronology of the independent Portuguese and Czechoslovak states. Besides unique documents from the Czech Press Agency, Fundação Mário Soares, Centro de Documentação 25 de Abril, Arquivo Histórico Diplomático, Rádio e Televisão de Portugal, Czech Television, period magazines and newspapers, and private archives, it also features photographs by Václav Havel’s private photographer Tomki Němec and reproductions of artworks from the Museu Nacional de Arte Contemporânea in Lisbon, Fundação de Serralves – Museu de Arte Contemporânea – Porto, Fundação Calouste Gulbenkian – Lisbon, Prague City Gallery, Kampa Museum – the Jan and Meda Mládek Foundation, the Kmentová Zoubek Endowment Fund, Prvá slovenská investičná skupina – Bratislava, the Slovak National Gallery in Bratislava, and many others.
Published thanks to the kind support of the Instituto Camões.
The exhibition’s main media partner is Czech Television.
The exhibition was presented under the auspices of Her Excellency Manuela Franco, Portugal’s ambassador to the Czech Republic, and Hana Třeštíková, Prague city councilor for culture, monument preservation, exhibitions, and tourism.
Published on the occasion of the eponymous exhibition at Prague City Gallery – Municipal Library, 30 April – 29 Sept. 2019, and at the Museu Nacional de Arte Contemporânea in Lisbon, 25 April –30 Aug. 2020.