Bienále mladého umění ZVON 2010 /THE BELL 2010 Young Art Biennial/
Dům U Kamenného zvonu /The Stone Bell/
30/6 – 3/10, 2010
Tue – Sun 10.00 a.m. – 8.00 p.m.
What´s contemporary young art like? There is no single exhaustive answer to this question, just as there
is no way of lodging within the historic medieval grounds of The Golden Bell the output of an entire
generation of artists. Rather, the aim of what is already the seventh Young Art Biennial is to introduce
to the general public works by a select group of promising artists active on the present-day scene, with
an emphasis on the breadth of the spectrum of their individual approaches.
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Taking part in the show are twenty artists. Some of them already have to their credit a number of major
triumphs at home as well as internationally, and are widely regarded as promising representatives of
contemporary Czech art. Others have so far had virtually no chance to have their output displayed in public,
and are still unknown to the broad public. In contrast to the biennial´s previous editions, the participants´
age brackets have now shifted towards more recent years of birth, with quite a few of those taking part being
still students. Apart from the "classic" art schools, such as the Prague Academy of Fine Arts, or the Academy
of Arts, Architecture and Design, this edition of the biennial is for the first time bringing in a significant
representation of graduates and students of the Academy of Cinematic Arts. Five of those represented here were
born in Slovakia, but have long lived and worked in the Czech Republic. Most of them were born in the late
1970s and the 1980s. They have grown up in a globalized world, in a society embracing the values of liberal
democracy. Their first artistic attempts date to the beginning of the new millenium. There is no common
denominator for their production as regards either subject matter or formal idiom. In drawing up
the exhibition´s roster of artists, the organizers focused on the criterion of diversity, guided by the ambition
to transcend the established patterns of perceiving the visual arts, and to point at its correlations with
other areas of culture. Thus, the show juxtaposes paintings, photographs and conceptual art works on the one
hand, with such forms as comics strips, works influenced by street art, documentary films or music video clips,
on the other.
Young artists of today don´t see themselves as members of a single cohesive community. Their world is
diversified, falling into a plethora of smaller-scale entities. Notwithstanding this diversity, an incontestable
characteristic of contemporary young art is its tendency towards collective projects. No longer do artists stay
confined in the solitude of their studios; instead, they often create their works in collaboration with other
artists, or even with the involvement of members of the public or of spectators who thereby become direct
participants in the creative process.
More than a few artists lack the ambition to produce definitive, permanent works, but rather focus their
endeavour on the process of creation per se. Abandoning the role of a maker of elaborately crafted, narrowly
specialized objects, today´s artist assumes the position at the centre of activities diversified in terms
of production and concept alike, through the execution of which he or she examines the functioning of various
social mechanisms, as well as art´s potential of intervening into these mechanisms.
The criteria for selecting the biennial participants have been geared towards artists working with the media of
photography, video, drawing, and text. Some of the works on display resemble diaries kept by their makers, while
others seem to relate to web blogs or other means of communication characteristic for the era of the internet
and social networks. Contemporary young artists are cosmopolitan, yet at the same time they are also highly
sensitive to developments in their immediate surroundings. Not surprisingly therefore, another common feature
is their concern with social issues, and with various, often very personal analyses of the world they live in.
Last but not least, young artists turn attention towards the phenomenon of art as such, investigating into its
properties, striving to capture the essence of the various media, and subjecting them to different extreme tests.
A possible answer to the question of how art itself stands in the face of the demands posed on it by the young
generation, can perhaps also be found at the present show.
Admission: CZK 120 / 60
Exhibition curator: Tomáš Pospiszyl We wish to thank the following partners: firm Edward
Principal media partner: Radio 1
The Stone Bell
The origins of the Stone Bell House date, according to the latest constructional and
historical researches, from the second half of the 13th century, when a lengthwise
building behind the monumental spiral corner with massive perimeter walls was built.
The oldest building phase is preserved in the cellars and on the ground floor of the
south wing. The second building phase followed in about 1310. At that time there was
raised the chapel with rich figurative and ornamental painted decoration covering the
walls and the dome.
>>> The result of the building rebuilding in the second quarter of the 14th century was
the representative municipal palatial house with the tower corner, which is remarkable
evidence of the northern French-oriented court lodge that is a unique preserved example
of this architecture type in Prague. The dominant feature of the façade richly decorated
with gothic architectural components was created with plastic figurative decorations. Its
iconographic theme celebrated the idea of kingdom and the royal family - due to this, the
assumption arose that the building owner was somebody from the royal court circle.
The typical house sign was placed at the corner of the building in the 16th century. After
1685 and in the 18th century baroque adaptations of the building took place. Preceding
a demanding restoration of the Stone Bell House, during which the neo-baroque facade from
the 19th century was pulled down, extensive constructional and historical research was
carried out, which revealed the Gothic facade. Restoration was finished in 1988 and the
City assigned the building to serve as the GHMP exhibiting space for its important
exhibition projects. In the building there is a Gallery shop and in the rear part of the
building is a café.